The names of Chelsea Arts Society members are given in capital letters
£ | ||||||
900 | Diana Howorth | Mackerel on a Plate | 250 | |||
901 | Rouhi Peck | The Robin | 250 | |||
902 | CHRIS BURDETT | There is no F in Seagull Dad! | 130 | |||
903 | Vivienne Dixon | Smog Two | 295 | |||
904 | Cathryn Kuhfeld | Dunnock in the Camellia | 300 | |||
905 | Beverley Johnson | Centaura II | 150 | |||
906 | Isobel Peachey | Medieval Dance Master | 250 | |||
907 | Isobel Peachey | Napoleonic Drummer | 250 | |||
908 | Sally Friend | Beach Dogs | 260 | |||
909 | Isobel Peachey | Bifrons | 300 | |||
910 | Marie Coccolatos | Light Passages | 600 | |||
911 | Celia Normand | Sitting Out | 250 | |||
912 | Sara Bishop | St. Peter’s, Bristol | 120 | |||
913 | JOANNA IRVIN | The Far Cuillins | 270 | |||
914 | Francesca Learmount | View of the High Atlas from the Summit of Mount Toubkal, Morocco | 399 | |||
915 | JOANNA IRVIN | Riverbank, Thames | 180 | |||
916 | MAURICE MOERI | Tulips in a Lucie Rie Pot | 200 | |||
917 | Jennifer Golding | Cuppa | 195 | |||
918 | Jennifer Golding | Sloane Square at Dusk | 195 | |||
919 | MAURICE MOERI | Spider Crab | 180 | |||
920 | Lesley Christianson | Over the Hill & Far Away | 350 | |||
921 | Cathryn Kuhfeld | Three Little Ravens | 300 | |||
922 | Lesley Christianson | Night in the Southern Hemisphere | 350 | |||
923 | MAURICE MOERI | Whitstable Bay | 180 | |||
924 | JOANNA IRVIN | Still Morning, Islay | 270 | |||
925 | JOANNA IRVIN | The Strand, Colonsay | 270 | |||
926 | Jill Shillito | Flood Plain | 300 | |||
927 | Guy Allen | Boxing Hares | 380 | |||
928 | Janet Mays | My Lovely Hellebore | 260 | |||
929 | Francesca Learmount | View of the High Atlas from the Summit of Mount Toubkal, Morocco | 429 | |||
930 | Alex Hirtzel | After D’Orleans | 565 | |||
931 | Faye Haskins | Tidal VI Series 3 | 195 | |||
932 | John Bateson | The Beach | 350 | |||
933 | MAURICE MOERI | Still Life with Oranges | 200 |
Note to Exhibitors listed in the catalogue
If you have not yet received your notification and invitation to the Private View and plan to come, invitations will be at the exhibition desk.