The names of Chelsea Arts Society members are given in capital letters
| £ | ||||||
| 1 | ABEL KESTEVEN | Young Girl with Horse | 450 | |||
| 2 | ABEL KESTEVEN | Elephant | 350 | |||
| 3 | ALICE BOGGIS-ROLFE | Windmills in the Distance | 700 | |||
| 4 | LUKE MARTINEAU | Fishing for Minnows | 985 | |||
| 5 | RICHARD FOSTER PRP | Timoleague, Co Cork | 875 | |||
| 6 | MICHAEL ALFORD | Chelsea Reach 2 /Evening | 1,350 | |||
| 7 | RICHARD FOSTER PRP | Sinan’s Mosque, Damascus | 675 | |||
| 8 | RICHARD FOSTER PRP | Bodrum Harbour | 675 | |||
| 9 | ANNE WRIGHT RBA | The Yellow House Belmonte Calabria | 1,200 | |||
| 10 | RICHARD FOSTER PRP | Cefalu, Sicily | 875 | |||
| 11 | ANNE WRIGHT RBA | Old Houses, Calbria | 1,200 | |||
| 12 | LUCINDA STEPHENS NEAC | Courtyard Museum | 425 | |||
| 13 | Sara Lewis | The Thames at Hammersmith | 275 | |||
| 14 | Jill Creak | Choices | 175 | |||
| 15 | LUCINDA STEPHENS NEAC | Monk Yuan Dynasty | 360 | |||
| 16 | ANNE WRIGHT RBA | The End of the Village | 1,200 | |||
| 17 | LUCINDA STEPHENS NEAC | Cast Court V/A Museum | 425 | |||
| 18 | LUKE MARTINEAU | Lake Afternoon, Sennen Cove | 2,250 | |||
| 19 | MICHAEL ALFORD | Battersea Bridge, P.M. | 980 | |||
| 20 | ALICE BOGGIS-ROLFE | Interior with Stairs | 690 | |||
| 21 | JEAN NOBLE RI SWA | Collected Forms | 580 | |||
| 22 | LUKE MARTINEAU | On the Beach at Sennen Cove | 1,950 | |||
| 23 | RONALD MORGAN RBA ROI | The Thames at Putney | 460 | |||
| 24 | RONALD MORGAN RBA ROI | Lady in Black | 325 | |||
| 25 | RONALD MORGAN RBA ROI | Band Stand, Hyde Park | 400 | |||
| 26 | RONALD MORGAN RBA ROI | The Bluebell Wood | 480 | |||
| 27 | LUKE MARTINEAU | Spring Day at Crackington Haven | 2,750 | |||
| 28 | ROBIN MACKERVOY ROI | Summer Sun, Tate Gallery | 560 | |||
| 29 | RICK HOLMES | Gherkin Reflection | 595 | |||
| 30 | JAMES PARFITT | Sophie | 500 | |||
| 31 | Carol Slater | Summer Morning Over the Ashdown | 200 | |||
| 32 | ALICE BOGGIS-ROLFE | Primrose Hill | 2,200 | |||
| 33 | PAUL BANNING RI RSMA AROI | Winter Across the Fields Summerleaze | 1,200 | |||
| 34 | RICK HOLMES | By the River, Tauera | 595 | |||
| 35 | Clementine St. John Webster | The Busy Streets of Jodphur | 685 | |||
| 36 | PAUL BANNING RI RSMA AROI | Walking Down from Mt. Sinai, Egypt | 1,700 | |||
| 37 | ROBIN MACKERVOY ROI | Albert Embankment | 560 | |||
| 38 | ROBIN MACKERVOY ROI | Cottages at Porlock Weir | 560 | |||
| 39 | JOHN STILLMAN RSMA | A Walk in the Park, St. James, London | 575 | |||
| 40 | JOHN STILLMAN RSMA | The Old Power Station, Chelsea | 525 | |||
| 41 | JOHN PAUL | Thames Estuary | 550 | |||
| 42 | JOHN STILLMAN RSMA | The Fountain, Trafalgar Square | 725 | |||
| 43 | JOHN STILLMAN RSMA | Birthday Lanterns | 525 | |||
| 44 | LESLEY DABSON RBSA | Harbour Shadows | 295 | |||
| 45 | STEWART GANLEY | Light and Shadows | 600 | |||
| 46 | STEWART GANLEY | Visitors to Cajole | 550 | |||
| 47 | ANN HAWKSLEY | Cuban Car at Lights | 900 | |||
| 48 | LESLEY DABSON RBSA | Waters Edge | 445 | |||
| 49 | Jim Woodman | Skye Sheep Croft | 200 | |||
| 50 | ANNE WRIGHT RBA | Church in Belmonte | 750 | |||
| 51 | Paul Sutton | Mercer | 350 | |||
| 52 | Jo Vollers | Inland Sea | 450 | |||
| 53 | Jo Vollers | The Estuary | 450 | |||
| 54 | Justine Lois Thorpe | Salt Mist | 595 | |||
| 55 | Justine Lois Thorpe | Hook Up | 595 | |||
| 56 | Justine Lois Thorpe | Salt Sea | 595 | |||
| 57 | DENNIS GILBERT NEAC | Leticia | 500 | |||
| 58 | Emily Ponsonby | Knees | 1,650 | |||
| 59 | HEATHER WILLS-SANDFORD | Seascape | 850 | |||
| 60 | HEATHER WILLS-SANDFORD | Summer Day | 850 | |||
| 61 | JOHN KILLENS | Towards Westminster Bridge | 795 | |||
| 62 | Bernard McGowan | Richmond Green | 250 | |||
| 63 | CAROLINE LEES | Chelsea Town Hall/Pintar Rapido | 385 | |||
| 64 | CAROLINE ATKINS | Mirko’s Hyacinth, Burano | 485 | |||
| 65 | AMANDA COLEMAN | Plein Air Study (Chelsea Cornwall Trip) | 450 | |||
| 66 | AMANDA COLEMAN | Duck | 400 | |||
| 67 | ALICE BOGGIS-ROLFE | Blythburgh Church | 1,500 | |||
| 68 | CAROLINE LEES | Kiruna | 385 | |||
| 69 | PAUL GILDEA NEAC | Bee | 390 | |||
| 70 | JANET TRELOAR RWS | The Gate at Dusk | 400 | |||
| 71 | JOHN PAUL | Autumn by the Lake | 750 | |||
| 72 | JANET TRELOAR RWS | “Heavens Light” Shelley | 400 | |||
| 73 | JOHN KILLENS | Chelsea Wedding | 525 | |||
| 74 | Rosalie Watkins | Paddy | 2,300 | |||
| 75 | Florence Houston | Cream & Jam Doughnut | 650 | |||
| 76 | Marion Wilcocks | Cranes at Battersea | 440 | |||
| 77 | RICK HOLMES | Poppies | 550 | |||
| 78 | Henrietta Abel Smith | Roses from the Garden | 680 | |||
| 79 | Henrietta Abel Smith | Pink Roses in Blue Jug | 680 | |||
| 80 | Fiona Glynne-Percy | William’s Bowl | 300 | |||
| 81 | PAUL ALLEN | Cherry Blossom | 350 | |||
| 82 | JULIA HAWKINS | Portrait of Natasha | 1,200 | |||
| 83 | Madeline Morrow | China, Silver, Glass | 232 | |||
| 84 | JULIA HAWKINS | Étretat, Falaise D’Aval at 10am | 700 | |||
| 85 | JULIA HAWKINS | Girl with Guitar | 850 | |||
| 86 | JULIA HAWKINS | Sunrise at Étretat | 2,000 | |||
| 87 | ROMANOS MOUKARZEL | Painting of a Dog | 1,500 | |||
| 88 | SALLY SCOTT | Apple Halves and Quarters | 250 | |||
| 89 | CAROLINE ATKINS | Cornflowers & Sweet William | 475 | |||
| 90 | SALLY SCOTT | Teapot and Tulips | 700 | |||
| 91 | SALLY SCOTT | Blue Tablecloth | 700 | |||
| 92 | JANET TRELOAR RWS | Autumn Collection | 400 | |||
| 93 | AMANDA COLEMAN | Tomatoes | 700 | |||
| 94 | AMANDA COLEMAN | Shiny Shoes | 850 | |||
| 95 | ANNIE FIELD SWSA SWAC | Jodhpur | 780 | |||
| 96 | CAROLINE ATKINS | French Kitchen | 525 | |||
| 97 | CAROLINE ATKINS | The Brown Waistcoat | 495 | |||
| 98 | JANET TRELOAR RWS | The Island of Filfa, Malta | 650 | |||
| 99 | ANNIE FIELD SWSA SWAC | Toulouse | 500 | |||
| 100 | ANNIE FIELD SWSA SWAC | Blue Shirt | 500 | |||
| 101 | ANNIE FIELD SWSA SWAC | Joy of Colour | 500 | |||
| 102 | Maria Kaleta | Piccadilly Circus, London | 480 | |||
| 103 | Maria Kaleta | The Broadway, Wimbledon | 450 | |||
| 104 | DENNIS GILBERT NEAC | Shepherd Market | 395 | |||
| 105 | DENNIS GILBERT NEAC | Richmond Bridge | 395 | |||
| 106 | IAN WRIGHT | The Prince of Wales, Cheam | 250 | |||
| 107 | IAN WRIGHT | The Grand Canal, Venice | 275 | |||
| 108 | IAN WRIGHT | Market St., Lavenham | 250 | |||
| 109 | IAN WRIGHT | The Crooked Billet, Wimbledon | 250 | |||
| 110 | Elizabeth Guthrie | Back Track | 575 | |||
| 111 | CHRISTINE ELLIS | Time Out at Ripley | 350 | |||
| 112 | Lucy Kent | Sunset and Puddles | 1,295 | |||
| 113 | Nigel Sharman | Composition with Carafe | 575 | |||
| 114 | Elizabeth Guthrie | Space to Breathe | 575 | |||
| 115 | Charlotte Partridge | Cap d’Antibes | 300 | |||
| 116 | Charlotte Partridge | Chelsea Bridge at Sunrise | 300 | |||
| 117 | ANN MAVROLEON DIXON MBE | Summer Kitchen I | 410 | |||
| 118 | ANN MAVROLEON DIXON MBE | Summer Kitchen III | 410 | |||
| 119 | ANN MAVROLEON DIXON MBE | Summer Kitchen IV | 485 | |||
| 120 | ANN MAVROLEON DIXON MBE | Summer Kitchen II | 410 | |||
| 121 | Sarah Manolescue | Thick Coats and Coffee | 1,700 | |||
| 122 | Tom Stevenson | Studio Table with Paper Target | 420 | |||
| 123 | Sarah Manolescue | Spring Greens, the Causeway | 2,000 | |||
| 124 | Alan Lancaster | The City from Waterloo Bridge | 550 | |||
| 125 | Bill Dean ROI | Ladies at Lunch | 1,600 | |||
| 126 | Bill Dean ROI | Thai Chefs, Borough Market | 950 | |||
| 127 | Freddy Paske | Drums at 3am | 1,900 | |||
| 128 | S K Dunbar | Hampstead | 450 | |||
| 129 | Janet Keith | Morning | 400 | |||
| 130 | Janet Keith | Green Afternoon | 550 | |||
| 131 | Philip Sadler | Moonrise Over the Lake | 225 | |||
| 132 | Oliver Maughan | Hull Hurlingham Yacht Club | 1,400 | |||
| 133 | Liz Mundle | Shades of Lime Green and Orange – China Town 4 | 260 | |||
| 134 | Richard Colson | San Giovanni e Paolo, Venice | 1,150 | |||
| 135 | A Hampson | Birds in the Dunes | 200 | |||
| 136 | CHRIS BURDETT | Afternoon Light, Embankment | 450 | |||
| 137 | PHILIPPA WHITE | Westminster Cathedral | 225 | |||
| 138 | PHILIPPA WHITE | The Flock | 225 | |||
| 139 | Kjell Folkvord | Bridges | 350 | |||
| 140 | Alan Lancaster | Early Morning: 2 Churches, Sifinos | 595 | |||
| 141 | Sara Lewis | The Seafront at Tenby | 425 | |||
| 142 | Chuck Monroe | Bubblegum Machine | 1,850 | |||
| 143 | CHRIS BURDETT | Canal Runner | 420 | |||
| 144 | Mark McLaughlin | Woldingham Valley | 1,500 | |||
| 145 | Emilie Riggs | Seascape 2 | 800 | |||
| 146 | Liza Brett | Crimson | 280 | |||
| 147 | Ruy Porto Fernandez | City | 340 | |||
| 148 | Elizabeth Haines | Winter Moor and Wood | 450 | |||
| 149 | Henrietta Stuart | Burnished Skies Over River Nene | 450 | |||
| 150 | Chris Robinson | Thames Valley | 650 | |||
| 151 | DENNIS GILBERT NEAC | Chelsea Harbour | 395 | |||
| 152 | Ann Johnson | The Ferry | 1,460 | |||
| 153 | Tracey Gardner | The Giant Cooker | 225 | |||
| 154 | Bella Taylor | Still Life with Green & Red | 650 | |||
| 155 | Andrew Ekins | Mojo | 460 | |||
| 156 | Katie James | Path with Trees, Montpeyroux, France | 495 | |||
| 157 | Andrew Kelly | Trafalgar Square, Night | 300 | |||
| 158 | Ken Head | Red Blinds, Honfleur | 150 | |||
| 159 | Ken Head | Bathtime – Venice | 250 | |||
| 160 | CHRIS BURDETT | Waves on Trevellas Cove | 450 | |||
| 161 | Serena Rowe | Daffodils & Anemone | 1,800 | |||
| 162 | MICHAEL ALFORD | Albert Bridge, from Battersea Park, Night | 1,350 | |||
| 163 | ROGER DELLAR ROI RI PS | Cooked to Order | 650 | |||
| 164 | ROGER DELLAR ROI RI PS | Wagamama’s | 650 | |||
| 165 | Jane Wachman | Pink Sand | 275 | |||
| 166 | Enrique Ruiz | Looking for Myself | 250 | |||
| 167 | ROBIN MACKERVOY ROI | Lenten Roses | 500 | |||
| 168 | RICK HOLMES | Embankment Station | 595 | |||
| 169 | JEAN NOBLE RI SWA | Harbour Heights | 495 | |||
| 170 | David Sawyer | Chelsea Girl II, Chelsea Embankment Gdns | 780 | |||
| 171 | David Sawyer | Chelsea Girl I, Venus Fountain, Sloane Sq | 780 | |||
| 172 | David Sawyer | The Silver Pot | 780 | |||
| 173 | Katie James | Milk Jug on Tablecloth | 525 | |||
| 174 | ALICE HALL AROI | Notre Dame | 370 | |||
| 175 | Beatrice Hasell-McCosh | Corsican Pine | 1600 | |||
| 176 | Tyga Helme | The Pink House | 350 | |||
| 177 | Tyga Helme | Le Marche Hills | 350 | |||
| 178 | LOUISE DIGGLE | London Gate, Chelsea Flower Show | 430 | |||
| 179 | CHRISTOPHER MIERS RBA | Cornish Coast | 725 | |||
| 180 | LOUISE DIGGLE | Albert Bridge, Early Morning Light | 450 | |||
| 181 | ALICE HALL AROI | Perranporth, Cornwall | 1,100 | |||
| 182 | LOUISE DIGGLE | Porthcurno, Afternoon Light | 450 | |||
| 183 | LOUISE DIGGLE | St Michael’s Mount, Summer Rain | 420 | |||
| 184 | CHRISTOPHER MIERS RBA | Lands End | 725 | |||
| 185 | ALICE HALL AROI | Lyme Regis | 950 | |||
| 186 | CHRISTOPHER MIERS RBA | The Beach | 725 | |||
| 187 | CHRISTOPHER MIERS RBA | St Michaels Mount | 725 | |||
| 188 | ALEX WHEELER | Freesia, Delphinium & Roses | 600 | |||
| 189 | PATRICK CULLEN NEAC | Washing Drying on the Ghat Varanasi | 895 | |||
| 190 | JOHN JULIAN PETTS | Parsons Green, Summer | 215 | |||
| 191 | JAMES PARFITT | Cultivated Flowers | 650 | |||
| 192 | JOHN JULIAN PETTS | Cambridge Circus, Spring | 215 | |||
| 193 | LUCINDA STEPHENS NEAC | Figure V/A Cast Court | 425 | |||
| 194 | JOHN JULIAN PETTS | Cadogan Pier, Summer | 215 | |||
| 195 | JAMES PARFITT | Large Blooms, Small Blooms | 350 | |||
| 196 | CHRISTINE ELLIS | Cheyne Row | 380 | |||
| 197 | LESLEY DABSON RBSA | The Green Boat | 825 | |||
| 198 | CAROLINE LEES | Blues & Royals | 385 | |||
| 199 | ALEX WHEELER | Daffodils | 500 | |||
| 200 | JAMES PARFITT | Harrington Gardens | 600 | |||
| 201 | JOHN KILLENS | Upper Pool, Evening | 950 | |||
| 202 | SALLY SCOTT | Fruit and Flowers | 700 | |||
| 203 | SUE HILL | Spring Flowers Growing | 450 | |||
| 204 | SUE HILL | Carnations in Blue Vase | 500 | |||
| 205 | Henrietta Stuart | A Blaze of Yellow | 700 | |||
| 206 | Ann Johnson | House on the Down | 460 | |||
| 207 | Lucy Marks | First Light | 350 | |||
| 208 | Andrew McDowall | Marston to Blakeney | 850 | |||
| 209 | STEWART GANLEY | Into a Summer’s Garden | 650 | |||
| 210 | Pat Harvey | Paris: Café La Ruche | 675 | |||
| 211 | Anna Dennis | The Way to Santa Maria | 700 | |||
| 212 | JOHN KILLENS | October Morning, Southwold | 950 | |||
| 213 | SUE HILL | Mixed Flowers | 450 | |||
| 214 | SUSIE ELLIOTT | Stormy Winds Do Blow | 475 | |||
| 215 | SUSIE ELLIOTT | Rolling Hills of Tanzania | 475 | |||
| 216 | Andrew McDowall | Arrival – East Cowes | 650 | |||
| 217 | Maria Kaleta | Wimbeldon, In the Middle of the Day | 450 | |||
| 218 | Marie Coccolatos | Sky Curlew | 600 | |||
| 219 | SUSIE ELLIOTT | St. Mary’s ‘Becalmed’ | 795 | |||
| 220 | PATRICK CULLEN NEAC | Boat Building, Varanasi | 1,250 | |||
| 221 | ROY CONNELLY | Moors Farm, Suffolk | 495 | |||
| 222 | Ollie Tuck | Brighton Fish Counter | 545 | |||
| 223 | Ollie Tuck | Brighton Fish Counter – Bass | 545 | |||
| 224 | Penny O’Hara | Familiar Shapes and a Rose | 390 | |||
| 225 | PATRICK CULLEN NEAC | Bathing Group, One Jumped In, Varanasi | 1,150 | |||
| 226 | ROY CONNELLY | Felixstowe Ferry | 495 | |||
| 227 | ANN HAWKSLEY | Packing Up, Evening Beach | 600 | |||
| 228 | ROMANOS MOUKARZEL | Painting of a Dog | 1,500 | |||
| 229 | ROGER DELLAR ROI RI PS | American Chef | 650 | |||
| 230 | ROGER DELLAR ROI RI PS | Burlington Arcade | 650 | |||
| 231 | PAUL ALLEN | Roses | 295 | |||
| 232 | R Copeland | Geranium Pots | 650 | |||
| 233 | CHRISTINE ELLIS | Ladies’ Night | 900 | |||
| 234 | Alan Lancaster | 83-87 Southend Road, Hampstead | 795 | |||
| 235 | Florence Houston | Lightbulb | 350 | |||
| 236 | Maria Rose | Towards Dartmoor from Ladbury Hill Fort | 520 | |||
| 237 | BERT WRIGHT PPRSMA FRSA | Evening Light, Lower Pool | 900 | |||
| 238 | Kieran Naish | View from the London Eye | 7,000 | |||
| 239 | OLIVER BULL STISA | Warm Air and Heavy Sky – Mounts Bay, West Cornwall | 595 | |||
| 240 | OLIVER BULL STISA | Two Sides of St Michael’s Mount – West Cornwall | 895 | |||
| 241 | OLIVER BULL STISA | Blustery Autumn Sunset – Porthgwarra, West Cornwall | 595 | |||
| 242 | FRAN HOWARD | After the Harvest | 450 | |||
| 243 | ROMANOS MOUKARZEL | Artimino, Italy | 650 | |||
| 244 | ROMANOS MOUKARZEL | Balze, Volterra | 650 | |||
| 245 | Emily McDonald | Purple II | 495 | |||
| 246 | OLIVER BULL STISA | Cloud at Last Light – Porthgwarra, West Cornwall | 595 | |||
| 247 | BERT WRIGHT PPRSMA FRSA | Albert Bridge Moorings | 825 | |||
| 248 | FRAN HOWARD | River Anton, Hampshire | 450 | |||
| 249 | BERT WRIGHT PPRSMA FRSA | Anglers’ Perfect Day | 1,100 | |||
| 250 | Penny Sandeman | Ignored | 475 | |||
| 251 | Louise Gillard | Northcote Antiques | 395 | |||
| 252 | Marion Wilcocks | Cranes at Waterloo | 440 | |||
| 253 | FRAN HOWARD | Copper Beach, Richmond | 450 | |||
| 254 | BERT WRIGHT PPRSMA FRSA | Leadenhall Market | 700 | |||
| 255 | Andrew Horrod | Late Summer, Sloane Square | 450 | |||
| 256 | Meredith Ramsbotham | Pinks In a Green Glass | 695 | |||
| 257 | Juliet Milward | Still Life Blues | 425 | |||
| 258 | Howell Lloyd Jones | Ammanford, Early Autumn | 600 | |||
| 259 | Alex Roch | Winter Fruits | 500 | |||
| 260 | C Grant | Portrait of a Cat | 300 | |||
| 261 | PENELOPE REEVE | Honfleur | 450 | |||
| 262 | JEANNETTE HAYES PPS | Spring Hedge | 600 | |||
| 263 | Christina Dobbs | Dahlias in White Vase | 500 | |||
| 264 | CLARE SPRATT | Moving House | 435 | |||
| 265 | John Walsom | Boats at Isleworth | 800 | |||
| 266 | Peter Kuhfeld NEAC RP | S. Maria Della Salute, From the Traghetto | 3,000 | |||
| 267 | PAUL BANNING RI RSMA AROI | Sailing for Home, West Mersea | 650 | |||
| 268 | PAUL BANNING RI RSMA AROI | Rue Dr Cabreira Tavira, Portugal | 850 | |||
| 269 | Archie Niven | Rain Over Westminster | 450 | |||
| 270 | Lucy Marks | Across from the Castle on the Hill | 400 | |||
| 271 | Rod Major | Afternoon Light, Albert Bridge | 350 | |||
| 272 | Rod Major | Afternoon Light, Tower Bridge | 350 | |||
| 273 | Chris Robinson | Crummock & Buttermere | 650 | |||
| 274 | Clare Bowen | Albert Bridge | 395 | |||
| 275 | PAUL ALLEN | Private View | 295 | |||
| 276 | PAUL GILDEA NEAC | Grapes | 390 | |||
| 277 | Jenna Laney | Waiting for That Call | 525 | |||
| 278 | Sandra Lawrence ROI | Grouper – Seychelles | 2,975 | |||
| 279 | John Nolan | Two Whales in a Violent Sea | 500 | |||
| 280 | Peter Kuhfeld NEAC RP | Gypsy Boy | 3,000 | |||
| 281 | MIKE RICHARDSON | Quayside, Ile De Re | 525 | |||
| 282 | Timothy Gatenby | Cat Street | 600 | |||
| 283 | Johnny Cox | Song Thrush | 175 | |||
| 284 | Sheri Gee | An Ashdown Moment | 190 | |||
| 285 | MIKE RICHARDSON | Mist on the Ground Canal | 575 | |||
| 286 | Roger Pearce | Fennel | 400 | |||
| 287 | PAUL GILDEA NEAC | Green Pears | 590 | |||
| 288 | PAUL GILDEA NEAC | Red Pears | 590 | |||
| 289 | VEEDA AHMED | A Day in the Park | 4,000 | |||
| 290 | ADEBANJI ALADE | Rain and Reflections | 825 | |||
| 291 | Rosalie Watkins | California Still Life | 2,300 | |||
| 292 | Gaylyna Petrova | Forest Bloom | 250 | |||
| 293 | Sophie Cook | Red Chillis and Portuguese Tiles | 400 | |||
| 294 | VEEDA AHMED | After Michelangelo | 4,000 | |||
| 295 | ADEBANJI ALADE | Albert Bridge Nocturne | 975 | |||
| 296 | ROY CONNELLY | Midwinter Stoke by Nayland | 450 | |||
| 297 | ADEBANJI ALADE | Summer Heat, Sloane Square | 975 | |||
| 298 | CLARE SPRATT | Dust Storm | 435 | |||
| 299 | ROY CONNELLY | Evening Sky, Moors Farm | 450 | |||
| 300 | CAROLINE LEES | Peaches & Cream | 385 | |||
| 301 | PAUL ALLEN | In the Gallery | 285 | |||
| 302 | SIDNEY CARDEW RSMA | Working Day in France | 1,200 | |||
| 303 | SIDNEY CARDEW RSMA | Rotherhithe Quayside | 450 | |||
| 304 | SIDNEY CARDEW RSMA | Low Water by the Dome | 695 | |||
| 305 | SIDNEY CARDEW RSMA | Old Tugs on the Thames | 450 | |||
| 306 | TREVOR CHAMBERLAIN ROI RSMA | Geese on the Supway, Isleworth | 575 | |||
| 307 | TREVOR CHAMBERLAIN ROI RSMA | Reflected Light, La Flotte | 475 | |||
| 308 | TREVOR CHAMBERLAIN ROI RSMA | Upstream from Richmond Bridge | 375 | |||
| 309 | TREVOR CHAMBERLAIN ROI RSMA | Holidays, Daymer Bay, Nr. Rock | 575 | |||
| 310 | David Westwood | Desires in Picadilly | 1,000 | |||
| 311 | Jacqueline Rufus-Isaacs | Garden Affaire | 575 | |||
| 312 | Nadeem Baghdadi | Job Hunters | 570 | |||
| 313 | MIKE RICHARDSON | The Rose Bed | 575 | |||
| 314 | MIKE RICHARDSON | Nocturne, San Toma, Venice | 575 | |||
| 315 | VEEDA AHMED | A Symphony of Trees | 6,500 | |||
| 316 | Clementine St John Webster | Devon Seascape | 865 | |||
| 317 | R Copeland | View Across South Downs | 650 | |||
| 318 | R Copeland | View Towards South Harting (South Downs) | 550 | |||
| 319 | Harriet Pattinson | Shoe Horns | 850 | |||
| 320 | Mark McLaughlin | Morning Mist, Dulwich College | 1,650 | |||
| 321 | Nigel Sharman | Two Luggers in Harbour | 980 | |||
| 322 | Nicki Heenan | Snowdonia Mists | 250 | |||
| 323 | Andrew Horrod | Phones, Papers, Coffee Cups | 775 | |||
| 324 | Katie Thomas | Norfolk Garden | 850 | |||
| 325 | Lucy Paine | Martina | 700 | |||
| 326 | Munisha Gupta | Waiting in Colombo | 900 | |||
| 327 | HILDEGARDE REID MSA | Sunflowers | 500 | |||
| 328 | ALISON PULLEN | Oxford Interior I | 2,300 | |||
| 329 | ALISON PULLEN | South Kensington Interior | 2,400 | |||
| 330 | ALISON PULLEN | Randolph Gallery, Ashmoleon Museum, Oxford | 2,300 | |||
| 331 | ALISON PULLEN | Oxford Interior 2 | 2,300 | |||
| 332 | Johnny Popkess | Dressage, a Horse’s View | 1,400 | |||
| 333 | SUSIE ELLIOTT | Reflective Moment on the Thames | 2,200 | |||
| 334 | Amy Stuckburgh | Dark Bowl Mussel Shell & Honeysuckle | 595 | |||
| 335 | PATRICK CULLEN NEAC | Boys Bathing, Washing, Drying, Varanasi | 1,195 | |||
| 336 | Nick Bashall | Nude 1 | 2,500 | |||
| 337 | JEANNETTE HAYES PPS | Pink Gardens | 1,100 | |||
| 338 | Jacqueline Rufus-Isaacs | The Wychwood | 575 | |||
| 339 | SUE HILL | Still Life with China | 450 | |||
| 340 | HILDEGARDE REID MSA | Studio Still Life | 800 | |||
| 341 | John Martin | Looking Out to Sea | 880 | |||
| 342 | Stephanie Kamio | Boyko | 850 | |||
| 343 | Nick Bashall | Nude II | 2,900 | |||
| 344 | John Walsom | Arbrook Common | 1,100 | |||
| 345 | Raoul Orzabal | Fall | 1,200 | |||
| 346 | HILDEGARDE REID MSA | Still Life with Chinese Vase & Figure | 650 | |||
| 347 | Jo Vollers | Study I | 600 | |||
| 348 | Lynda Minter | The Thames & the City | 2,100 | |||
| 349 | Munisha Gupta | Bucharest Interiors | 900 | |||
| 350 | OLGA BROWN | Christmas Lights in Sloane Square | 2,500 | |||
| 351 | Louisa Calder | Giustinian Arches, Venice | 1,200 | |||
| 352 | ALICE HALL AROI | Paris Seen from Gallery Lafayette | 1,850 | |||
| 353 | ADEBANJI ALADE | The Day it Rained, Charing Cross | 3,375 | |||
| 354 | Serena Rowe | Peonies & Allium | 3,000 | |||
| 355 | ALEX WHEELER | Cosmos in a Field | 560 | |||
| 356 | Andrzej Pass | Summertime | 1,800 | |||
| 357 | Silviya Georgieva-Sellvida | Hong Kong Market | 820 | |||
| 358 | Katie Thomas | London Terrace | 850 | |||
| 359 | OLGA BROWN | The Royal Court Theatre | 380 | |||
| 360 | OLGA BROWN | London, Ryder Street | 1,200 | |||
| 361 | Bill Dean ROI | Reflections in the Strand | 1,850 | |||
| 362 | Terence Russell | Isaac Jaguar Portrait | 3,250 | |||
| 363 | CLARE SPRATT | Hay | 600 | |||
| 364 | CLARE SPRATT | Moroccan Alleyway | 600 | |||
| 365 | OLGA BROWN | Unfolding Blue | 2,500 | |||
| 366 | ELFRIEDA LUSTY MRBS | Red Puffa Fish | 1,650 | |||
| 367 | Peter Brown | Venice, Sketch | 250 | |||
| 368 | Emily McDonald | Yellow I | 1,850 | |||
| 369 | Peter Brown | Padua, Italy, Sketch | 250 | |||
| 370 | STUART HOWITT | Introspection | 1,200 | |||
| 371 | STUART HOWITT | Head Study | 1,200 | |||
| 372 | STUART HOWITT | Adore Me | 950 | |||
| 373 | Rene Sandberg | Reflections | 560 | |||
| 374 | PHILIPPA WHITE | The Goring | 275 | |||
| 375 | Enrique Ruiz | Old Parrs Head | 1,450 | |||
| 376 | Christopher Hamar | Waiting for a Fare | 360 | |||
| 377 | PHILIPPA WHITE | Sheep in Green Park | 275 | |||
| 378 | Michael Farr | Never a Dull Moment | 484 | |||
| 379 | Nadeem Baghdadi | Everyone’s Talking | 580 | |||
| 380 | Lynsey James | Montibus | 175 | |||
| 381 | Carol Slater | Looking Across the Thames | 200 | |||
| 382 | Olivia Garnier | Inle Lake Fisherman 2 | 315 | |||
| 383 | FRAN HOWARD | Ketch Off Cap Taillat | 350 | |||
| 384 | Madeleine Bunbury | Indian Cow | 240 | |||
| 385 | Michael Hart | St. James’s Park | 350 | |||
| 386 | Lynsey James | Valle Petram | 195 | |||
| 387 | Martin Ferrabee | Wasps | 100 | |||
| 388 | Jill Creak | The Card Game | 175 | |||
| 389 | Katrina Rose | My Impression of Fulham Palace | 340 | |||
| 390 | Miranda Fontaine | In the Pear Tree | 325 | |||
| 391 | Margaret Eggleton | Bird’s Eye View, London | 540 | |||
| 392 | Mary Romer Greenfield | Portal | 450 | |||
| 393 | Nevena Simovic | Clouds | 250 | |||
| 394 | Mary Romer Greenfield | Rainbow Steps | 450 | |||
| 395 | George Thomas | Drawing of Alex | 460 | |||
| 396 | Liza Brett | Magenta | 280 | |||
| 397 | Nevena Simovic | Market I | 250 | |||
| 398 | Elizabeth Haines | Looking Through | 450 | |||
| 399 | Penny Sandeman | Waiting Room | 495 | |||
| 400 | Lucy Heath | New Paints | 375 | |||
| 401 | Charles Penny | Anemones | 250 | |||
| 402 | Phyllis Dupuy | A Difference of Opinion | 400 | |||
| 403 | Cruz Jurado | Autumn Poetry | 620 | |||
| 404 | Eve Pettitt | Still Life with Garlic | 495 | |||
| 405 | Tony Lockwood | Afternoon on the Champs Elysees | 695 | |||
| 406 | Howell Lloyd Jones | Ammanford, Early Autumn | 600 | |||
| 407 | Clare Bowen | Morning Light, Tower Bridge | 420 | |||
| 408 | Emma Hill | Pine Cone & Pomegranate | 595 | |||
| 409 | Mary Ashby | Stepladder | 175 | |||
| 410 | Sally Lawson | Provencal View | 650 | |||
| 411 | Janna Gromova | Making a Face | 235 | |||
| 412 | Anna Scott | Saying Hello | 300 | |||
| 413 | Becki Flack | Tita in Japanese Garden | 600 | |||
| 414 | Julia Page | Chelsea Life | 1,200 | |||
| 415 | Chuck Monroe | Motorbike | 750 | |||
| 416 | Anne Holmefjord | On the Beach | 250 | |||
| 417 | Christina Dobbs | Child’s Shoes | 400 | |||
| 418 | Emily McDonald | Ruby I | 850 | |||
| 419 | Roger Pearce | Birth of Venus | 400 | |||
| 420 | GILBERT WHYMAN MRBS | Vanessa | 425 | |||
| 421 | Emily Ponsonby | Drying | 1,850 |
Note to Exhibitors listed in the catalogue
If you have not yet received your notification and invitation to the Private View and plan to come, invitations will be at the exhibition desk.