The names of Chelsea Arts Society members are given in capital letters
| £ | |||
| 1 | ALICE BOGGIS-ROLFE | View from Coombe Mill | 980 |
| 2 | ALICE BOGGIS-ROLFE | Afternoon on Polzeath Beach | 890 |
| 3 | LOUISE DIGGLE | View from Montmartre | 440 |
| 4 | LOUISE DIGGLE | Pont St-Louis, Evening Light | 460 |
| 5 | LOUISE DIGGLE | Grand Palais from the Sennelier Shop | 420 |
| 6 | LOUISE DIGGLE | Flags, Champs Elysees | 420 |
| 7 | ANNE WRIGHT RBA | Montmartre Steps | 700 |
| 8 | ANNE WRIGHT RBA | View of Paris from Montmartre | 850 |
| 9 | ANNE WRIGHT RBA | Montmartre Spring 2016 | 700 |
| 10 | ANNE WRIGHT RBA | Little Park, Montmartre | 700 |
| 11 | JOHN KILLENS | By Albert Bridge, Evening | 950 |
| 12 | JOHN KILLENS | The Strand, Tuning Up after Rain | 950 |
| 13 | Tom Stevenson | Wimbleball Lake, Exmoor | 520 |
| 14 | Tom Stevenson | Hound Tor – Dartmoor | 450 |
| 15 | Joy Forbes Cole RBS | Industrial Landscape, Hammersmith | 600 |
| 16 | Rod Major | View from Richmond Hill | 350 |
| 17 | Joanna Vollers | Daisy and Tulips | 425 |
| 18 | JOHN KILLENS | Lake Como, Late Afternoon | 950 |
| 19 | JOHN KILLENS | Evening, Richmond Lock | 950 |
| 20 | Madeline Morrow | Monet’x Kitchen | 145 |
| 21 | Madeline Morrow | Beach Treasures | 145 |
| 22 | OLGA BROWN | Butlers Wharf | 850 |
| 23 | OLGA BROWN | St Mark’s Basilica, Venice | 850 |
| 24 | TREVOR CHAMBERLAIN ROI RSMA | The Bottom Line | 375 |
| 25 | TREVOR CHAMBERLAIN ROI RSMA | Puddles | 475 |
| 26 | TREVOR CHAMBERLAIN ROI RSMA | Morning Clouds, Lyme Regis | 525 |
| 27 | TREVOR CHAMBERLAIN ROI RSMA | Shaded Pool, Evening | 625 |
| 28 | JAMES PARFITT | Towards Priory Walk | 650 |
| 29 | JAMES PARFITT | View of Henri Becquerel’s House | 450 |
| 30 | JAMES PARFITT | Low Tide, Late Evening, Blyth | 360 |
| 31 | JAMES PARFITT | Garden, Orchard, Trees | 495 |
| 32 | Penny Rose OHara | Wild Briar and Sombreuil Rose | 300 |
| 33 | Penny Rose OHara | Late Summer Pickings | 330 |
| 34 | Veronica Johnstone | Let’s Paint | 225 |
| 35 | Krystyna Dankiewicz | Winter Landscape | 400 |
| 36 | ADEBANJI ALADE | Morning Light, York City Walls | 720 |
| 37 | ADEBANJI ALADE | Dawn, Abuja | 720 |
| 38 | Jacqueline Taber RBA | Quails Eggs | 650 |
| 39 | Terence Russell | Apple | 425 |
| 40 | Lindsey Cole | Sea at Night | 100 |
| 41 | Jacqueline Taber RBA | Red Spotted Handkerchief | 600 |
| 42 | Terence Russell | Lemon | 425 |
| 43 | JOHN STILLMAN ARSMA | Evening in Venice | 875 |
| 44 | JOHN STILLMAN ARSMA | The Dog Walkers, Epsom Downs | 745 |
| 45 | JOHN STILLMAN ARSMA | The Monument, Greenwich | 550 |
| 46 | JOHN STILLMAN ARSMA | Helter Skelter, Palace Pier, Brighton | 525 |
| 47 | AMANDA COLEMAN | Number 46 | 400 |
| 48 | AMANDA COLEMAN | Number 28 | 400 |
| 49 | PAT MACLAURIN | At the Barre | 400 |
| 50 | ABEL KESTEVEN | Jockey, (Epsom) | 285 |
| 51 | SALLY SCOTT | Primroses | 280 |
| 52 | Maria Rose | The Levels from Uphill Boatyard | 480 |
| 53 | ADEBANJI ALADE | Those CAS AGMs at Julian’s | 1,115 |
| 54 | Janet Mays | Poppies | 480 |
| 55 | ADEBANJI ALADE | Spring Light, Royal Court | 1,115 |
| 56 | Penny German | Turnips | 650 |
| 57 | JOANNA IRVIN | Bridge over the Wye | 400 |
| 58 | Elton Lovell | Priya in her Spanish Dress | 375 |
| 59 | Jane Spencer | Red Jug | 120 |
| 60 | JOHN PAUL | Barges, Venice | 800 |
| 61 | PAT MACLAURIN | Poppies | 400 |
| 62 | JOANNA IRVIN | Clovelly | 200 |
| 63 | JOANNA IRVIN | Border Farm | 135 |
| 64 | DENNIS GILBERT NEAC | Clifton Suspension Bridge | 325 |
| 65 | DENNIS GILBERT NEAC | St. George’s Square | 325 |
| 66 | DENNIS GILBERT NEAC | S. Vidal | 325 |
| 67 | JANET TRELOAR RWS | Sacred Cow, Aurangabad Market | 275 |
| 68 | Lucille Cranwell | Albert Bridge, Summer | 400 |
| 69 | JANET TRELOAR RWS | Shopkeeper, Aurangabad India | 275 |
| 70 | CAROLINE LEES | Lions of London | 475 |
| 71 | Geoffrey Williams-Glover | Hades II | 300 |
| 72 | Geoffrey Williams-Glover | Quixote II | 200 |
| 73 | Ruy Porto Fernandez | Battersea Power Station | 240 |
| 74 | AMANDA COLEMAN | Pork Pie | 400 |
| 75 | AMANDA COLEMAN | Scotch Egg | 400 |
| 76 | Luis | Metamorfosi | 330 |
| 77 | OLGA BROWN | Regent Street | 650 |
| 78 | STEWART GANLEY | Wet Streets in South London | 300 |
| 79 | George Robertson | Windows 2 | 1200 |
| 80 | PENELOPE REEVE | Old Trees on Chanctonbury Ring | 275 |
| 81 | CHRIS BURDETT | Victoria Park Lock (Regents Park Canal) | 350 |
| 82 | Sophy Bristol | Battersea Power Station, Autumn | 390 |
| 83 | John Stevens | Sunlight and Shadows, Tooting Bec Station | 260 |
| 84 | Terry Lord | The Bus Stop | 450 |
| 85 | ROGER DELLAR ROI RI PS | Reflections, the Strand | 950 |
| 86 | Sam Wadsworth | St Ives Sunset, part 3 | 380 |
| 87 | Andrew McDowall | Ca do Mosto | 525 |
| 88 | Andrew McDowall | Palazzo – Venice | 525 |
| 89 | ROGER DELLAR ROI RI PS | Dipping Toes, Henley | 650 |
| 90 | ROGER DELLAR ROI RI PS | Royal Academy Courtyard | 950 |
| 91 | Sam Wadsworth | St Ives Sunset, part 2 | 380 |
| 92 | OLGA BROWN | The Old City of London School | 850 |
| 93 | Margaret Devitt | Pears | 300 |
| 94 | JOANNA IRVIN | Galloway Hills | 350 |
| 95 | Alex Fowler NEAC | Zahynthos, Looking Towards Kethalonia, no 1 | 700 |
| 96 | Alex Fowler NEAC | Zahynthos, Looking Towards Kethalonia | 700 |
| 97 | Archie Niven | The Café, Dubrovnik | 375 |
| 98 | Archie Niven | The Old Calf Pens | 350 |
| 99 | ALICE BOGGIS-ROLFE | The City from Parliament Hill | 850 |
| 100 | RICK HOLMES | Cranes over Hammersmith | 595 |
| 101 | RICK HOLMES | Street Scene, Kowloon | 595 |
| 102 | SALLY BEGG | Sandy Beach | 280 |
| 103 | ROMANOS MOUKARZEL | Mother and Child on Beach, I | 400 |
| 104 | ROMANOS MOUKARZEL | Mother and Child on Beach, II | 400 |
| 105 | ROMANOS MOUKARZEL | Boat by Albert Bridge | 600 |
| 106 | SALLY BEGG | Ardnamurchan | 350 |
| 107 | SALLY BEGG | Winter Hills | 360 |
| 108 | ROMANOS MOUKARZEL | Girl at Work | 800 |
| 109 | SALLY BEGG | Dartmoor Drifts | 480 |
| 110 | RICK HOLMES | Rialto Market | 595 |
| 111 | ANNIE FIELD SWSA SWA | Blue Lady | 700 |
| 112 | ANNIE FIELD SWSA SWA | Orchid | 475 |
| 113 | ANNIE FIELD SWSA SWA | Early Spring | 700 |
| 114 | ANNIE FIELD SWSA SWA | Potting Shed | 700 |
| 115 | CAROLINE ATKINS | A Sense of Mimosa | 525 |
| 116 | CAROLINE ATKINS | Studio Shelf | 495 |
| 117 | CAROLINE ATKINS | Window Sill | 495 |
| 118 | CAROLINE ATKINS | The People in the Room | 525 |
| 119 | OLIVER WARMAN RBA ROI | The War Stopped Here 1607 | 385 |
| 120 | OLIVER WARMAN RBA ROI | Dover Castle 1608 | 385 |
| 121 | Gill Speirs RP | By the Eglisette | 850 |
| 122 | ANNABEL RIDLEY | Clematis | 380 |
| 123 | ANNABEL RIDLEY | Red Roofs, Provence | 460 |
| 124 | Jane Wachman | From Afar | 325 |
| 125 | ANNABEL RIDLEY | Provence | 380 |
| 126 | ANNABEL RIDLEY | Lavender Fields, Provence | 460 |
| 127 | Nevena Simovic | Harvest 2 | 120 |
| 128 | Nevena Simovic | Harvest 1 | 240 |
| 129 | Mary Romer Greenfield | Between the Clouds | 300 |
| 130 | Katrina Rose | The Cottage | 200 |
| 131 | Rod Major | Faversham Creek, Kent | 650 |
| 132 | Mary Romer Greenfield | Ushba Sunrise | 300 |
| 133 | Gilbert Whyman | Ffion | 150 |
| 134 | Margaret Devitt | Flowers at Night | 650 |
| 135 | Alex Fowler | Zahynthos, Trees by Pool | 800 |
| 136 | ABEL KESTEVEN | Ladies Day, Cheltenham | 295 |
| 137 | Hugh Dickson | Passing the Carpet Seller | 350 |
| 138 | Mary Ashby | Mousetrap and Matchbox | 140 |
| 139 | Benjamin Johansen | Catching Your Breath | 400 |
| 140 | Sandra Lawrence ROI | Blue Grouper | 1950 |
| 141 | PHILIPPA WHITE | Chasing Shadows | 250 |
| 142 | LESLEY DABSON RBSA | The Pink Buoy | 295 |
| 143 | Nigel Sharman | Bathers | 385 |
| 144 | Benjamin Johansen | Spun | 400 |
| 145 | LESLEY DABSON RBSA | Breaking Wave | 445 |
| 146 | Elizabeth Guthrie | View from the Shard | 550 |
| 147 | Lincoln Taber | Skull | 850 |
| 148 | Lilwen Lewis | Pembrokeshire Cottage | 275 |
| 149 | Helena Marconell | Russian Church | 240 |
| 150 | Charles Penny | Tea Glasses | 250 |
| 151 | SUE HILL | Hurlingham Bridge | 100 |
| 152 | HEATHER WILLS-SANDFORD | A Way to the Sea | 850 |
| 153 | SALLY SCOTT | French Pots and Poppies | 600 |
| 154 | ALICE HALL AROI | View of Venice from Riva Schiavoni? | 1300 |
| 155 | ALICE HALL AROI | Brelade’s Pier and La Cote St Brelades, Jersey | 1300 |
| 156 | John Bateson | The British Holiday | 150 |
| 157 | HEATHER WILLS-SANDFORD | Left Alone | 850 |
| 158 | SALLY SCOTT | Pomegranates | 400 |
| 159 | Fiona Macpherson | View from Tignes | 575 |
| 160 | PHILIPPA WHITE | Tennis Triumph | 150 |
| 161 | CLARE SPRATT | Low-Tide Pool | 425 |
| 162 | Lincoln Taber | I love Putney | 425 |
| 163 | Lincoln Taber | Putney Odeon? | 425 |
| 164 | Penny Sandeman | Flower Girl | 595 |
| 165 | PAT MACLAURIN | The Carousel, Montpellier | 400 |
| 166 | ROGER DELLAR ROI RI PS | In the Shade Henley | 650 |
| 167 | Rosie Copelawn | Primrose | 250 |
| 168 | PAT MACLAURIN | Daisy at Dartington | 600 |
| 169 | ANN HAWKSLEY | Open Door, Sicily | 650 |
| 170 | ANN HAWKSLEY | In the Wings II | 425 |
| 171 | C Bennett | Callanish Stones – Cumbria | 600 |
| 172 | ANN HAWKSLEY | Summer, Richmond Park | 750 |
| 173 | JILL ANFIELD | View from the House, Vallabrix | 550 |
| 174 | JANET TRELOAR RWS | Darkness of the Souk, Damascus | 700 |
| 175 | PHILIPPA WHITE | Ben Ainsley Racing | 275 |
| 176 | ANN MAVROLEON | Spring Kitchen – study 4 | 310 |
| 177 | ANN MAVROLEON | Spring Kitchen – study 3 | 310 |
| 178 | JANET TRELOAR RWS | Brightness of India | 700 |
| 179 | SALLY SCOTT | Irises and Cypresses | 600 |
| 180 | ANN MAVROLEON | Spring Kitchen – study 1 | 310 |
| 181 | ANN MAVROLEON | Spring Kitchen – study 2 | 310 |
| 182 | RICK HOLMES | Times Square NY | 595 |
| 183 | PHILIPPA WHITE | Remembrance Poppies at RHS | 250 |
| 184 | Serena Rowe | Early June Flowers | 1800 |
| 185 | Alla Samarina | Rendez–Vous | 520 |
| 186 | PAUL ALLEN | The Dry Martini | 350 |
| 187 | PAUL GILDEA NEAC | B | 290 |
| 188 | PAUL GILDEA NEAC | Black Feather on Black | 390 |
| 189 | ANN HAWKSLEY | In the Wings I | 900 |
| 190 | Charlotte Partridge | Time for a Beer at the Royal Hospital Chelsea | 480 |
| 191 | Alan Lancaster | Venetian Studio | 495 |
| 192 | PAUL GILDEA NEAC | Dial M for Murder | 390 |
| 193 | PAUL ALLEN | Another Present from Marmalade! | 250 |
| 194 | PAUL ALLEN | San Giorgio Maggiore | 250 |
| 195 | Alan Lancaster | The Cement Works Elefsin | 395 |
| 196 | PAUL GILDEA NEAC | Pear | 690 |
| 197 | OLIVER BULL STISA | Afternoon Sunshine, Marazion | 1275 |
| 198 | OLIVER BULL STISA | St. Ives Harbour – study II | 450 |
| 199 | OLIVER BULL STISA | St. Ives Harbour – study III | 450 |
| 200 | OLIVER BULL STISA | Sunrise, West Cornwall (diptych) | 975 |
| 201 | John Walsom | Late Sun, Wapping | 925 |
| 202 | John Walsom | Cadogan Square | 925 |
| 203 | LUKE MARTINEAU | Hammersmith Bridge at Nightfall | 3000 |
| 204 | John Walsom | Spanish Shade | 1150 |
| 205 | LUKE MARTINEAU | Venice from the Arsenale | 2250 |
| 206 | LUKE MARTINEAU | Westminster | 2250 |
| 207 | RICHARD FOSTER RP | Shop Kissingar | 975 |
| 208 | RICHARD FOSTER RP | Top of Palace, Nagaur | 775 |
| 209 | RICHARD FOSTER RP | Chatri Agra | 675 |
| 210 | ALICE BOGGIS-ROLFE | Clouds over Walberswick | 650 |
| 211 | Penny Sandeman | Ignored | 550 |
| 212 | Sara Lewis | Tenby in Early Spring | 325 |
| 213 | Sara Lewis | Storm Approaching Llangrannog | 325 |
| 214 | ROBIN MACKERVOY ROI | Ludgate Hill, Sunday Morning | 610 |
| 215 | ROBIN MACKERVOY ROI | Daffodils | 500 |
| 216 | PAUL ALLEN | Roses | 250 |
| 217 | CHRISTOPHER MIERS RBA | Festival Boats, Cadogan Pier | 725 |
| 218 | CHRISTOPHER MIERS RBA | S. Giorgio and Il Redentore | 725 |
| 219 | ROBIN MACKERVOY ROI | Early Afternoon, Tower Bridge | 595 |
| 220 | CHRISTOPHER MIERS RBA | Cricket at Burton Court I | 725 |
| 221 | CHRISTOPHER MIERS RBA | Cricket at Burton Court II | 725 |
| 222 | ROBIN MACKERVOY ROI | Still Life with White Tulips | 595 |
| 223 | RONALD MORGAN RBA ROI | Wimbledon | 500 |
| 224 | RONALD MORGAN RBA ROI | Abandoned Boat, Woolwich | 460 |
| 225 | David Sawyer RBA | Chinese New Year – Chinatown | 1250 |
| 226 | RONALD MORGAN RBA ROI | Gondola, Venice | 460 |
| 227 | David Sawyer RBA | Autumn Light, Albert Bridge | 1950 |
| 228 | RONALD MORGAN RBA ROI | Canal Boats, Amsterdam | 480 |
| 229 | KEN HOWARD OBE RA PPNEAC | Varanasi Ram Nagar 2014 | 4000 |
| 230 | KEN HOWARD OBE RA PPNEAC | Sunrise Varanasi | 4000 |
| 231 | David Sawyer RBA | Chinese Gateway, Gerrard St. | 1250 |
| 232 | SUSIE ELLIOTT | Reach | 380 |
| 233 | SUSIE ELLIOTT | Eternity | 380 |
| 234 | Vicki Norcliffe | Township Girl | 490 |
| 235 | Hugh Cantlie | Camelback. Phoenix, Arizona | 320 |
| 236 | Michael Hart | Dusk – Chichester Harbour | 375 |
| 237 | CAROLINE LEES | Royal Opera House C.G. | 475 |
| 238 | Marion Shave | Snowy Day | 595 |
| 239 | Kenneth Sachar | On the Eve (Erev) | 625 |
| 240 | ALEX CHAMBERLAIN | Tangled Up | 495 |
| 241 | ALEX CHAMBERLAIN | Walk Time | 495 |
| 242 | Nigel Sharman | Peone Vounder | 385 |
| 243 | Sara Lewis | St Mary’s Church, Battersea | 425 |
| 244 | Robert Hay | Winter Sunrise – Surrey | 350 |
| 245 | Rod Major | Dover Harbour | 350 |
| 246 | Phyllis Dupuy | Chelsea Harbour Cotinus | 400 |
| 247 | Caroline Hallpike | Dawn on Lake Como | 110 |
| 248 | LESLEY DABSON RBSA | Old Boat | 295 |
| 249 | LESLEY DABSON RBSA | Deserted Cove | 445 |
| 250 | PATRICK CULLEN NEAC | Orange Sunrise, Varanasi | 750 |
| 251 | Jenelle Latcham | Memories of Amalfi – Morning | 390 |
| 252 | PATRICK CULLEN NEAC | Occluded Sunrise, Varanasi | 850 |
| 253 | Sherin Aminossehe | Art Exhibition at Chelsea Town Hall | 845 |
| 254 | PATRICK CULLEN NEAC | White Sunrise, Varanasi | 700 |
| 255 | Sally Lawson | Hampshire Dog Walk | 700 |
| 256 | FRAN HOWARD | Chemin Rural | 250 |
| 257 | FRAN HOWARD | Out Early | 225 |
| 258 | Susan Thomson | Away on the Outgoing Tide | 300 |
| 259 | JEAN NOBLE RI SWA | Shifting Sands | 490 |
| 260 | JEAN NOBLE RI SWA | Heavy Swell | 490 |
| 261 | KATE YATES | Summer School | 300 |
| 262 | KATE YATES | New Year in Fort Cochin | 200 |
| 263 | KATE YATES | Mud Hut on a Tea Estate | 300 |
| 264 | FRAN HOWARD | Coxless Four | 475 |
| 265 | FRAN HOWARD` | Sundowners at the White Hart | 400 |
| 266 | Cathryn Kuhfeld | Sparrows in the Clematis | 800 |
| 267 | Peter Kuhfeld NEAC, RP | Isola San Giovanni, Lake Maggiore | 1650 |
| 268 | Gabriella Marchini | Kensington Park 4 | 350 |
| 269 | Peter Kuhfeld NEAC, RP | Orange Grove at San Calogero, Sicily | 2700 |
| 270 | Robert Hay | The Winter Walker of Chelsea | 380 |
| 271 | JEAN NOBLE RI SWA | Twins | 490 |
| 272 | JEAN NOBLE RI SWA | Over the Hill | 490 |
| 273 | IAN WRIGHT | Shopping in Lille | 250 |
| 274 | IAN WRIGHT | Ospedale, Venice | 325 |
| 275 | IAN WRIGHT | Painting in the Garden | 150 |
| 276 | IAN WRIGHT | Evening Light, Polperro | 250 |
| 277 | John Stevens | Borough Market | 245 |
| 278 | Lucy Marks | Tranquility 1 | 350 |
| 279 | Kate Pestkowska | Girl in a White Dress | 750 |
| 280 | SUE HILL | Pink Rose & Friends | 550 |
| 281 | SUE HILL | Port Isaac | 400 |
| 282 | SIDNEY CARDEW RSMA | Faversham Mill | 580 |
| 283 | SIDNEY CARDEW RSMA | Still Waters | 400 |
| 284 | SIDNEY CARDEW RSMA | St. Mary’s Church, Battersea | 380 |
| 285 | SIDNEY CARDEW RSMA | Gondolas at Rest, Venice | 380 |
| 286 | Flora Watson | Foxbourne Road, Self-Portrait | 1550 |
| 287 | CHRIS BURDETT | Oh for a Breeze | 450 |
| 288 | Flora Watson | Study, Self-Portrait | 840 |
| 289 | CHRIS BURDETT | Putting Them Out | 400 |
| 290 | Susan Thomson | A View from the Bench | 300 |
| 291 | Joanna Vollers | Devon Landscape II | 475 |
| 292 | Charles Jacques | The Summit of Stob Ghabhar | 150 |
| 293 | Bill Dean ROI | The Ball Boy | 650 |
| 294 | Jacqueline Rufus-Isaacs | Broken Images | 525 |
| 295 | Luis | The City & Me | 250 |
| 296 | ALICE HALL AROI | North Coast Jersey | 880 |
| 297 | Charles Jacques | The Devils Ridge from Stob Ban | 150 |
| 298 | Elizabeth Guthrie | Mutation | 525 |
| 299 | DENNIS GILBERT NEAC | Fountain & Goldfish | 325 |
| 300 | CAROLINE LEES | Edward the Confessor (vellum) | 480 |
| 301 | CAROLINE LEES | Her Majesty’s 90th (vellum) | 480 |
| 302 | JULIA HAWKINS | Morning in St James Park | 800 |
| 303 | JULIA HAWKINS | Vineyard in Spring, Denbies | 1200 |
| 304 | JULIA HAWKINS | Wisley Orchard, End of Winter | 850 |
| 305 | LUCINDA STEPHENS NEAC | Figure Against Light | 325 |
| 306 | SALLIANN PUTMAN RWS NEAC | Landlines | 650 |
| 307 | SALLIANN PUTMAN RWS NEAC | White Landscape | 650 |
| 308 | SALLIANN PUTMAN RWS NEAC | Last Light | 650 |
| 309 | SALLIANN PUTMAN RWS NEAC | Blue Hills | 650 |
| 310 | Henrietta Stuart | Evening Light on Loch Shiel | 650 |
| 311 | Henrietta Stuart | Morning Walk by the Loch | 650 |
| 312 | LUCINDA STEPHENS NEAC | Distant Forrests? | 420 |
| 313 | Laura Craig Levi | Winsome | 270 |
| 314 | LUCINDA STEPHENS NEAC | Across Marshes | 680 |
| 315 | Catherine Hood | Fisk Fishing Trawler at Harbour, Skagastrőnd, Iceland | 250 |
| 316 | Malgozata Lapsa-Malawska | Who Cares? | 700 |
| 317 | Justine Lois Thorpe | Uncongealed | 575 |
| 318 | Justine Lois Thorpe | Aqueous | 525 |
| 319 | Justine Lois Thorpe | Little Gem | 495 |
| 320 | George West | Paris | 600 |
| 321 | Mary Romer Greenfield | Dawn Came Up Like Thunder | 350 |
| 322 | Margaret Eggleton | Spring Flowers, Sissinghurst | 350 |
| 323 | ALEX ROCH | The Oval Blue Box | 460 |
| 324 | Vicki Nigoumi | Pomegranate & Figs | 850 |
| 325 | Cecile Grant | Minnie the Cat | 200 |
| 326 | Miranda Fontaine | In the Studio | 200 |
| 327 | Martin Ferabee | Figs | 460 |
| 328 | Penny Sandeman | Tangerines & Pears | 600 |
| 329 | Jasmin Jutley | Sprats on a Plate | 350 |
| 330 | Roger Pearce | Satsumas | 450 |
| 331 | Kieran Naish | Trafalgar Square | 795 |
| 332 | Kieran Naish | View of the Tower of London from the Thames | 1495 |
| 333 | Kieran Naish | Lansdown Road, Bath | 595 |
| 334 | Penelope Horlick | Red Amaryllis | 400 |
| 335 | KEN HOWARD OBE RA PPNEAC | Pesceria Duet | 30000 |
| 336 | ALISON PULLEN | Fulham Palace – Bishops Terrick’s Drawing Room | 2200 |
| 337 | Jacqueline Taber RBA | Victoria Plums | 650 |
| 338 | Pamela Preller | Golden Headed Lion Tamarin | 950 |
| 339 | Elton Lovell | Priya With Her Hair Up | 575 |
| 340 | ALISON PULLEN | Earl’s Court Interiors | 2100 |
| 341 | R Matzk | Vertical Heights | 295 |
| 342 | Bill Dean ROI | Snow Piccadilly | 650 |
| 343 | Louise Bougourd | Awesome Oak | 300 |
| 344 | LUKE MARTINEAU | Chelsea Embankment | 6000 |
| 345 | Ken Head | Painting at Whitstable | 300 |
| 346 | Ken Head | Across the Harbour Whitby | 250 |
| 347 | ALISON PULLEN | Fulham Palace – Great Hall | 2300 |
| 348 | HILDEGARDE REID MSA | Spring Flowers | 845 |
| 349 | Cecile Grant | Fishermen à la Raphael | 400 |
| 350 | HILDEGARDE REID MSA | Village Scene South Africa | 650 |
| 351 | David Snelling | The Rossettis at Fortess Terrace, 1856 | 483 |
| 352 | Christopher Hamar | Rye from the South | 220 |
| 353 | Stephen King | Second Violin | 3500 |
| 354 | Sophy Bristol | Albert Bridge Sundown | 590 |
| 355 | Sherin Aminossehe | Foreign & Commonwealth Office, Whitehall | 845 |
| 356 | Dorinda Montgomery | Princess Tiammi | 200 |
| 357 | Dorinda Montgomery | Bernard & Teddy Sleeping | 180 |
| 358 | Caroline Evans | Catch of the Day II | 495 |
| 359 | Penny German | Figs on Tiles | 450 |
| 360 | Penny German | Cherries & Wallpaper | 750 |
| 361 | Terence Russell | Pomegranates | 750 |
| 362 | Julia Page | Caroline | 550 |
| 363 | Lucy Paine | Davide | 400 |
| 364 | Laura Craig Levi | Florence | 270 |
| 365 | Ferdinando Fontana | Prodigal Son | 600 |
| 366 | Ferdinando Fontana | Come Here and Say That! | 620 |
| 367 | Andrew Roberts | Coming Rain Over the Salute | 625 |
| 368 | John Riley | Scottish Bothy | 250 |
| 369 | Maria Rose | Girl in GreenTurban, Sewing | 750 |
| 370 | ALEX CHAMBERLAIN | Ziggy & Hugo | 1495 |
| 371 | Charlotte Partridge | Sunday Morning at the Royal Hospital Chelsea | 780 |
| 372 | Marion Wilcocks | Chiswick Bridge | 550 |
| 373 | LUCINDA STEPHENS NEAC | Pond, Wimbledon Common | 500 |
| 374 | Tatiana Brown | Floral Extravaganza | 1700 |
| 375 | Joy Forbes Cole RBA | Pevensey Castle Ruins | 1100 |
| 376 | Marie Coccolatos | Kritios | 550 |
| 377 | Andrew Hird | Volterra Rooftops Looking Towards Montecatini | 650 |
| 378 | Timothy Gatenby | We May Sink and Settle on the Waves | 450 |
| 379 | ALEX WHEELER | Strawchair With Hat | 600 |
| 380 | Oliver Maughan | Albert Bridge, Embankment | 2500 |
| 381 | HILDEGARDE REID MSA | Still Life with Tulips in Vase | 1040 |
| 382 | PATRICK CULLEN NEAC | Saris, Orchha, Madhya Pradesh | 5850 |
| 383 | ALICE HALL AROI | Vesuvio, Douro, Portugal | 3600 |
| 384 | Oliver Maughan | Albert Bridge, Battersea Park | 2500 |
| 385 | Tom Gaffney | Alka Seltzer (Another Point of View) | 450 |
| 386 | Vicki Norcliffe | Mozart Café | 650 |
| 387 | Terry Lord | The London Eye | 900 |
| 388 | Martin Ferrabee | Cosmic Plum | 760 |
| 389 | Matthew Cooper | Tower Bridge | 895 |
| 390 | Beatrice Spector | The Spanish Steps, Rome | 250 |
| 391 | CLARE SPRATT | The Smithy – Heating the Hearth | 460 |
| 392 | CLARE SPRATT | The Smithy – Essential Element | 460 |
| 393 | CLARE SPRATT | The Smithy – First Light | 460 |
| 394 | Dante Turner | Chorrillos Market, Lima, Peru | 1250 |
| 395 | Nataliya Zozulya | Training at Henley | 570 |
| 396 | Gill Speirs | Anemones | 650 |
| 397 | Allan Storer | Oncoming Consciousness | 975 |
| 398 | Hasan Abdalla | The Drowned | 3000 |
| 399 | Runima Kakoty | A Nightingale Sang in Berkeley Square | 275 |
| 400 | Feri Kiasati | White Camellia | 170 |
| 401 | Mary Ashby | Chili Peppers | 140 |
| 402 | Abigail Lipski | Uncanny | 250 |
| 403 | Annie Leach | Pink Dahlia | 350 |
| 404 | STUART HOWITT | Chiaroscuro III | 800 |
| 405 | STUART HOWITT | Cradle to Grave | 750 |
| 406 | STUART HOWITT | All is Vanity 5 | 750 |
| 407 | Phyllis Dupuy | Chelsea Harbour Heuchera | 400 |
| 408 | Francesca Nella | Centered | 650 |
| 409 | Wendy MacKenzie | Waterloo Sunset | 450 |
| 410 | Caroline Sykes | Richmond Park | 575 |
| 411 | Andrew Horrod | Opera Preparations (Spring Afternoon, Holland Park) | 600 |
| 412 | Beatrice Spector | The Sea, The Sea | 250 |
| 413 | Robin Human | Siesta Time in Andalucia | 150 |
| 414 | Veronica Johnstone | Essaouria Morocco | 475 |
| 415 | Bernard McGowan | Porthmoer St Ives | 250 |
| 416 | JILL ANFIELD | Cavaillargues, Gard, France | 850 |
| 417 | SUSIE ELLIOTT | I Love Red Cranes! | 950 |
| 418 | SUSIE ELLIOTT | Lots Rd. Power Station | 580 |
| 419 | STEWART GANLEY | The Latchmere | 700 |
| 420 | STEWART GANLEY | Overtaking at Night | 660 |
| 421 | Irena Chmura | Self | 1900 |
| 422 | Marion Wilcocks | Coffee at the Wallace Collection | 550 |
| 423 | CHRISTINE ELLIS | Greatham Bridge | 960 |
| 424 | ALISON PULLEN | Osterley Park House – Hall | 2200 |
| 425 | Marie Coccolatos | Procession | 550 |
| 426 | Anthony Hannaford | Snow on Allotments | 700 |
| 427 | JILL ANFIELD | Agapanthus | 650 |
| 428 | JILL ANFIELD | Cornfields in Wiltshire | 850 |
| 429 | Andrew Hird | Santa Maria Della Salute and the Grand Canal | 450 |
| 430 | Eve Pettitt | Ode to Aphrodite | 650 |
| 431 | JULIA HAWKINS | Alice | 1800 |
| 432 | Nicki Heenan | Snowdonia from Beaumaris | 650 |
| 433 | MICHAEL ALFORD | To Cheyne Walk, Autumn Evening | 1650 |
| 434 | MICHAEL ALFORD | Battersea Reach | 1550 |
| 435 | Antonio de Pasquale | Breaking Through | 800 |
Note to Exhibitors listed in the catalogue
If you have not yet received your notification and invitation to the Private View and plan to come, invitations will be at the exhibition desk.